Positively Reframing Nonprofits As ‘Mission-Driven Organizations’ by Evan La Ruffa

As the Founder and Executive Director of IPaintMyMind, a nonprofit arts organization & gallery in Chicago, decoding the term ‘nonprofit’ feels like my job sometimes.

Some of the questions I get are as follows…

Why don’t you wanna make money? Do you hate capitalism? So how do you survive?

To which the answers are…

I do in fact want to make money, no I don’t hate capitalism (but I do think it needs a wake-up call), and by working hard.

The other non-verbal response is a sideways look residing somewhere between disgust, distrust, and ignorance. What’s more, it’s not their fault. The work nonprofit organizations do has been poorly explained to the public mostly because there hasn’t been anyone whose job it was to do exactly that, as Dan Palotta explains in Charity Case (a must-read for anyone in the sector). Luckily, the Charity Defense Council now exists & other nonprofit leaders are thinking along the lines of managing our collective message… so we’re getting there.

As I often say to people, and it’s a line I probably usurped from someone smarter than I, 501(c)(3) charitable status is a tax designation from the IRS, not a business plan. In this sense, nonprofit organizations still need to think about treading water financially, what’s more, they should be thinking about swimming ahead & scaling their impact.

What good are we doing for the mission we say we’re so dedicated to if our organization no longer exists, can’t scale impact, and can’t keep top talent?

The reality is that the term ‘nonprofit’ does the charitable sector a disservice, and there are a few reasons why.

  1. Non-profit is a negative statement. In certain marketing collateral, differentiating yourself can be of use, but we’re talking about a tax designation here. As Adam Braun from Pencil’s for Promise says, “we don’t do this not to make money, we do it for the mission.” I suggest we trash the terms “for profit” and “non profit” and replace them with the terms Private and Mission-Driven.

2. Non-profit implies an inherent lack of focus on finances, and

3. The term non-profit cripples the sector’s own ability to think in terms of business viability, earned income & financial wellness, which is all part of a healthy, functioning mission-based company as well.

All of this is why, at IPaintMyMind, we’ve been really focused on building a business model that would support the continuation of our mission in its current form, but that would also support the scalability of our impact.

Our mission is to make art accessible to everyone, and by transforming private & public spaces through temporary art gallery exhibitions via our Shared Walls™ program, we’re doing exactly that.

To learn more about how we’ve placed earned income & real value at the heart of driving social impact through the arts, read up on Shared Walls & find out how you can help put art everywhere.

I’d also like to appeal to the United States government and the Internal Revenue Service to officially re-evaluate the terminology we use to delineate the Mission-Based Companies in our country.

If you agree, please share, repost, or tweet this article.

Our words define our ideas.

In this case, the particular words we choose should reinforce a positive paradigm, make the general public more aware of how Mission-Driven Organizations work, and create evolution within the charitable sector that focuses on the financial sustainability of projects that have the potential to change the course of history.

So… ya know… there’s massive upside.

Join us.

Can ain’t should! by Evan La Ruffa

Using ‘can’ in place of ‘should’ means waste.

Wasted time, energy, money, effort.

Being can-do is a great thing, but not knowing when can actually means shouldn’t is a trap.

‘Can’ is a doorway, not an action.

Can you? Yes.

But you can do a lot of things. And many of them are terrible ideas.

But… should you?

Well that is a totally different question.

Making art isn't about becoming an artist. by Evan La Ruffa

Making art isn't about becoming an artist.

Although that is the knock-on affect of people trying their hands at creative pursuits. We become inspired, we get better at using our tools, and we make more art.

But the true value is what the process of making art yields for our confidence in trusting ourselves to...

1. Have an idea

2. Set it up

3. Test it

This process builds a muscle.

This muscle is creative and productive, and it can't help but contribute.

Making art isn't about becoming an artist...

It's about learning to trust ourselves to contribute!!!

Circles & squares by Evan La Ruffa

Squares need circles to make things interesting, to liven things up, to add color to the monochrome.

Circles need squares to hit deadlines, outline, extoll process, and be on time.

This means us circles need to show up as we are, not hiding our true colors or holding back. It also means we need to be fair about the value the squares bring too.

In fact, this is really about alchemy, not puzzle pieces.

It’s about not letting our seemingly fundamental differences get in the way. The function should be addition, after all, we’re on the same team.

It should be a dance, not a struggle.

And the result, should be awesome.

Post All Bills No. 9,017 (South of the Split) by Evan La Ruffa

Post All Bills No. 9,017 (South of the Split) …

the latest, harvested in-between time and South of the Split.

The practice is simple, and although I miss spots that morph, the supply is endless, just like ideas. I’m convinced (after a few reflections) that it’s just about being open to channeling it. A conduit for something new, a pole in a lightning storm, a temporary vessel.

Funny thing is, so are we!

My New Constraint in 2023 by Evan La Ruffa

Hey friends… it’s been a while… and instead of proclamations about posting more this year and all that yada yada, I can concretely say, that progress has been made in recent years.

Often as a result of constraints that were then adapted to, or which helped me prioritize the next most important contribution.

Existentially, I’m still floating and unsure like the rest of you.

But reducing the sauce of strategic input and the resulting outputs, is something I can feel myself getting better at. That said, here are some things I actually got done…

But in 2023, I will have a new constraint, and my hope is that writing and publishing about this will help me make it happen…

I won’t be working on IPMM at all on Wednesdays. I will use the day to develop some other projects, including my own art, new business ideas, as well as take time to rest, relax, enjoy art/film/music, and to take time to be with my wife, Lindsey.

What new constraint might help you in 2023?

Two new prints by Evan La Ruffa

Over the last month or so, I’ve been traveling a good amount for work (and some fun), which has allowed me to snap up some photos in some of my favorite places, which have made for some of my favorite artwork.

My found-street-art-photography-meets-a-remix is exactly that, the process of being aware, harvesting, and remixing.

(I am happy to tell you more about how I make these prints, just email me!)

I am super happy with the two latest prints being released (which are available in my shop as of this morning) which were made in Los Angeles a few weeks ago. Each print is a Limited Edition 1 of 1, Signed and Numbered, and printed on silver paper, which will give these prints an incredible, iridescent, and silver look and feel.

Post All Bills No. 765 and 766 can exist entirely on their own, or uncannily as a pair.

EvanLaRuffa.com/shop

Thanks for your attention! :)

Constraints by Evan La Ruffa

They help give the thing actual shape, focus, and clarity.

Are we brainstorming or honing? Dreaming or doing? Asking or answering?

All are worthwhile, and I can’t help but laugh at my former self. A younger guy who rebuffed any attempt at limitation. And it’s because I used to view it as precisely that - holding me up, keeping me trapped, encircling me, a feeling of being un-free.

A common view for a young buck.

I’ve since found constraints to be brilliant fuel for the active part of making - not the plotting, planning, and unreal (literally just not real yet) ideations that remain in the land of the undone.

No, no, no. The fuel brings abut the productive work that moves the thing closer to reality.

Guardrails, constraints, boundaries, or rules help us stay active. They help us create the thing we always hoped for by giving it a nudge into the realm of the practical, valuable, useful, or beautiful.

The first constraint though, is getting it out of our heads and onto paper.

Get it out, give it shape, make it real.

How we live & what we do by Evan La Ruffa

After 39 years of further review, I have to say, the journey seems way more pertinent than the destination.

When we process together, we realize that we’re never ‘there’ - a final place at which everything is resolved, perfected, and done.

For our entire lives, we’re moving forward, conclusions serving as springboards for new ones, a never-ending process of discovery, chewing, and digestion.

So what if we took that to heart?

What if being something was more important than going somewhere?

It can’t be about arriving at a fully-delivered future state, but rather understanding and intentionally embracing the idea that we’re always on the path, and that how we live and what we do while on that path is where it’s really at.

It’s where the color is… on the way ‘there’.

Already where we need to be…..

This year's vibe is: energy management by Evan La Ruffa

Instead of going on about my guilt with respect to not writing more often of consistently, I’ll just go ahead and get to it…….

2022 is an interesting number, a wild time, and the present.

As we’ve transitioned to a new calendar over the last month plus, I’ve settled into my lens for the year, a way to summarize my vibe. A color with which to paint, a confined canvas on which to create.

It feels like the the first culmination (conclusions are just platforms for new conclusions) of a lot of creative and community work in which I’ve been able to test, iterate, optimize, refine, and expand.

IPaintMyMind’s revenue was up 171% in 2021, the spaces are getting bigger (physical and mental), and it’s time to focus. It’s time to hone, and be selective, intuitive, concise, and breezy.

We’ve all had our energy fucked with over the last few years and it’s time we stop just dealing and start taking the bull by the horns when it comes to what we prioritize, and what we spend time and energy on.

We’re all trying to jump off the hamster wheel, so why don’t we?

How do we need to manage our energy this year? How could doing less really mean greater impact? How does not chasing our tails mean the restoration of our energy and the focused channeling of our abilities and gifts in a productive, growth-ful way?

Incursion or opportunity? by Evan La Ruffa

‘Post All Bills No. 291 (Venice, La Decima) - Option A & B’ (view on Instagram)…

Shared space has as many definitions as there are instances of it. What it looks like to you and me when together, is unique. The same goes for the alchemy of any two humans interacting. We all come to the equation with our own experience of it, our own categorization for it, and our own approach to letting others in and showing them how much we’ll let them into our shared space too.

How do you think of intimacy? Incursion or opportunity?

The color with which we paint, is the flavor we impart, offer, and gift. It’s our contribution, where the upside resides.

Open, give, receive.

New Limited Edition Art Prints Available on EvanLaRuffa.com by Evan La Ruffa

It’s go time!

The process of growing our creative muscle and trusting what we make can vary, but I feel really good about how I’ve been able to work with, learn from, and listen to artists, makers, and activists for years now, and what that will mean for what I make in the future. A repository of conversations, ideas, styles, lanes, and offerings that bounce around in my head when I think of all I could do.

Some of those thoughts have influenced this project… like creating prints that are 1 of 1, never printed again in that edition, and made extra special for any of my collectors.

When you buy a piece from me, I won’t print in that size or format ever again.

The prints that are now available via EvanLaRuffa.com/shop were made predominantly over the last few months in Chicago and Los Angeles, although there are a few that date back to last year. My work is abstract, gritty, street, and textural. Just liking the composition or color is all you need. It doesn’t mean anything, other than what it reminds you of or makes you feel.

I like capturing moments, remixing them, and making them ours.

Thanks so much for being a part of it, even if passively, and an extra thanks for any of you who decide to click a couple times and purchase one yourself.

One note: There is a particular print set, two complimentary prints, for which 100% of the profits with be donated to the Sandra Bland Center for Racial Justice. Art with extra impact. I can’t wait to see who gets those.

Feel free to reach out with questions about framing.

THANKS SO MUCH!!

evanlaruffa.com/shop

Art on Saturday by Evan La Ruffa

This Saturday I’ll be releasing a new batch of limited edition prints of the fine art photography work I’ve been making.

I’ve also added an Artist Statement to the About page on my website, but you can also read it here…

For all my life, really, I have made art. Illustrations as a kid, which gave way to a lot of writing, then the visual arts after college with illustration and line work, and then most recently, photography. I am attracted to ideas more than process, and love how new tools flatten the earth, and give more and more of us a chance to be creative.

My photography has run the gamut - from the dark room in high school where I seemed to love multiple exposures more than most, then live concerts, an emphasis on black and white architecture, and dabbling with SLR’s, until coming to my most recent body of work, which is a series entitled ‘Post All Bills.’ The series was born in New York City, where you can’t help but pass by various Post No Bills walls, of which everyone, quite predictably, posts bills. Ads for concerts, products, anything, really. As they are worn, tattered, torn at, and obliterated by humans, moisture, sun, and wind, they yield layers, segments, and compositions that please me to no end.

Finding them is the first part. Being lucky enough to coincide with them, temporally. After that it is up to me to turn them into more, to discover what else they have to offer, manipulating them in post-production, creating new moments that never existed.

This series has been shot entirely on iPhones. I am not a purist, a snob, or one of these people that thinks because they spent more money on their equipment that they are inherently better at what they do, or that photography isn’t actually more about awareness and light than tech snobbery.

My work is accessible, born from the street, made in cities, and the product of one question: what does it look like from over there? And how can I bring this to life in a new way, a way that makes someone feel good, lose time, and enjoy.

Everything cultural is art by Evan La Ruffa

For as much as art is minimized, everything cultural is art.

Movies, food, & music are three titans of the culture game, and the list goes on to encompass basically every genre and sub-genre of creative production known to humanity.

We work (almost endlessly) to spend our money on culture, then often decry it as being of little actual value. If we look at the budget, we can clearly see art & culture isn’t nurtured enough on the ground in our communities, yet the most notable happenings in our world come back to creativity, and necessarily, commerce.

A piece of art is just one instance of culture. A million pieces of art IS culture.

Whether delicious, delightful, or pause-worthy… culture for the win.

What piece of the culture gets your dollars?

Did you always think about that as art?

Maybe you should. :)

Lin Manuel Miranda and cultural icebergs by Evan La Ruffa

Every once in a while, things bubble up to the surface in our culture. Whether art, music, or politics, that thing rises above the cultural sea level and we all see it.

It’s a pretty big deal when this happens specifically with respect to representation.

What do I mean?

I mean, that when a culture that is not part of the mainstream is held up so that it can be seen by the entire culture, that that is a HUGE moment.

Moana and Coco are great examples. But so is Vivo, by Lin Manuel Miranda, which you can see on Netflix.

Vivo is a kaleidoscope of Latinidad, of Latino culture, specifically the islands from which many immigrants in Miami come from; Cuba, Puerto Rico, & The Dominican Republic, just to name a few.

But no country is left out, at one point Miranda sings as the voice of Vivo, the cute little monkey and the movie’s protagonist, “Tango like an Argentinian,” which of course caught my ear.

But this animated cultural offering is exactly that - a chance for everyone else to understand something outside their experience, even if the package it comes in is a cute, musical, bilingual monkey.

In watching Vivo a jillion times in the last few weeks, it’s resonated with me that these moments are sooooooo incredibly huge for diversifying, broadening, and enriching what the mainstream culture actually is.

It’s also huge for those of us who identify with cultures outside the mainstream, and it’s even more incumbent on us all to be more conversant once these cultural icebergs float above the surface long enough for us all to catch a good glimpse.

What cultural icebergs have you seen lately? What questions should you ask that you haven’t yet?

What’s more, how can we all be better at seeing those icebergs all around us? And what does their buoyancy mean for where we are going?

Be Dennis Rodman by Evan La Ruffa

I have never made a shot, all net.

Every single one of my ideas or projects is the result of a rebound I run down and put back in the net.

Life isn’t pre-packaged.

Of course we need to run it down, mix it up, & make it happen.

Be Dennis Rodman.

Get really good at predicting how the ball is going to bounce off the rim.

Journey to the End of Night by Evan La Ruffa

“Travel is useful, it exercises the imagination. All the rest is disappointment and fatigue. Our journey is entirely imaginary. That is its strength. It goes from life to death. Peoples, animals, cities, things, all are imagined. It’s all just a fictitious narrative. Littre says so and he’s never wrong. And besides, in the first place, anyone can do as much. You just have to close your eyes. It’s on the other side of life.”

- Celine, Journey to the End of Night

This quote opens the film The Great Beauty, one of my favorite films and works of art of all time.

I just spoke with my friend Levi for his podcast Movies For Humans about The Great Beauty, why I love it, and the notion that great art is transcendental in that it makes us feel like it’s OK to die, that our brief, intense ride on this planet is everything it needs to be.

It’s a fun listen.

‘Post All Bills No. 285 (Venice, La Cuarta)’ by Evan La Ruffa

‘Post All Bills No. 285 (Venice, La Cuarta)’ … paper is such an important part of the work.

Both in capturing the moment and in the production of my limited edition prints. These walls, these recently outdated advertisements, give cultural snapshots interrupted by the haste that followed.

But the haste is the action that rips the paper, and as I said, this work would be nothing without that dynamic.

Found, collaborative, temporal, timed, fleeting, impermanent, gone forever… and this never existed, but you can have it.

You can view this piece via my Instagram… @evanlaruffa

It's pudding, move it around by Evan La Ruffa

We’re super heroes to our kids, in most cases. At least at the beginning.

I’d like to think I’ve retained a bit of my super hero-ness for my 5 and 3 year old’s, but I also believe that being an example that shows just how squishy things are helps children trust themselves, love themselves, and gives them more margin for testing and discovering who they are.

I’d trade everything for being a Papi.

It’s exhausting, challenging, exciting, amazing, overwhelming, humbling, and incredible to be a parent. I also think that we soften the blows, round the edges, and provide a more practical, apt, and functional view of life and the world when we model the ways in which our experience doesn’t fit into tidy little boxes.

When we show that you can color outside the lines, blur things, and approach life like a multiple exposure photograph, we show our children (and ourselves) that alignment is something that happens when we engage enough to participate, to co-exist in space and contribute.

Life is pudding, move it around.

It's not real in our head by Evan La Ruffa

In our heads we keep things theoretical, huge, intertwined, unwieldy, and undone.

In the real world, things get concise, intentional, practical, tangible and catalytic.

Today I’m making another limited edition art print available in my shop because one thing shipped after the other is a career. Well, that is true, but it’s really less about that and more about how much fun I have making these things.

But it does strike me as interesting that a career is a timeline of the stuff we made real.

Hmmm…

https://www.evanlaruffa.com/shop/post-all-bills-no-1113